Walker employs characterization and symbolism to highlight the difference between these interpretations and ultimately to uphold one of them, showing that culture and heritage are parts of daily life. The opening of the story is largely involved in characterizing Mrs. Her description of herself likewise shows a familiarity and comfort with her surroundings and with herself: Johnson is fundamentally at home with herself; she accepts who she is, and thus, Walker implies, where she stands in relation to her culture.
Her work is an exploration of the individual identity of the black woman; in it she examines how embracing her identity and bonding with other women affects the health of her community at large. Walker describes this kinship among women as "womanism," as opposed to feminism.
When she was eight years old, one of her brothers accidentally shot her with his BB gun, leaving her scarred and blind in one eye until age fourteen when she underwent surgery to remove the scar tissue.
The disfigurement made Walker shy and self-conscious, and she turned to writing as a means of expressing herself. Though Walker had a tenuous relationship with her father, she notes that she respected her mother's strength and perseverance in the face of poverty, and she recalls how hard her mother worked in her garden to create beauty in even the shabbiest of conditions.
Despite a disadvantaged childhood, Walker earned a scholarship to Spelman College.
She attended Spelman for two years, became disenchanted with what she considered a puritanical atmosphere there, and transferred to Sarah Lawrence College in Bronxville, New York, to complete her education.
While at Sarah Lawrence, Walker wrote her first collection of poetry, Oncein reaction to a traumatic abortion she experienced during her senior year of college.
Walker shared the poems with one of her teachers, poet Muriel Rukeyser, whose agent found a publisher for them. After college, Walker moved to Mississippi to work as a teacher and a civil rights advocate.
In she married Melvyn Leventhal, a Jewish civil rights attorney; they became the first legally married interracial couple to reside in Jackson, Mississippi. Walker and Leventhal had a daughter, Rebecca; they divorced in While working in Mississippi, Walker discovered the writings of Zora Neale Hurston, an author whose works greatly influenced Walker's later work.
A Zora Neale Hurston Reader The novel follows three generations of a black southern family of sharecroppers and its patriarch, Grange Copeland, as they struggle with racism and poverty.
In Grange's "first life" he tortures his wife until she commits suicide. His son Brownfield inherits Grange's sense of helplessness and hatred, and eventually murders his own wife.
In Grange's "second life" he attempts to escape to the industrial North. Walker does not present industrial labor as a viable solution to the poverty of the South, however, and in his "third life" Grange returns to his southern home. At the end of the novel, Grange has become a compassionate man who longs to atone for the legacy of hate he has left his family, attempting to help his granddaughter Ruth escape from her father Brownfield and the South as a gesture of his remorse.
Another prominent theme in Walker's fiction deals with the ways in which black women seek "wholeness" and this quest's impact on the health of the community. The attempt at wholeness comes from remaining true to one's self and fighting against the constraints of society, as portrayed in the stories from Walker's collection In Love and Trouble.
Walker's novel Meridian is considered an autobiographical work. The title character is born in the rural South, like Walker, and uses education as a means of escape.
Pregnant and married to a high school dropout, Meridian struggles with thoughts of suicide or killing her child, but eventually decides to give the child up and attend college. After graduating, she enters an organization of black militants in Mississippi, but realizes she is not willing to kill for the cause.
With this knowledge she resolves to return to rural Mississippi to help its residents struggle against oppression. In The Color Purple, Walker uses an epistolary form to create a woman-centered focus for her novel. The letters span thirty years in the life of Celie, a poor southern black woman.
Celie is victimized physically and emotionally by her stepfather, who repeatedly rapes her and then takes their children away from her, and by her husband, an older widower who sees her more as a mule than as a wife. Celie's letters are written to God and to Celie's sister Nettie, who escaped a similar life by becoming a missionary in Africa.
Celie overcomes her oppression with the intervention of an unlikely ally, her husband's mistress, Shug Avery. Shug helps Celie find self-esteem and the courage to leave her marriage. By the end of the novel, Celie is reunited with her children and her sister.
The Temple of My Familiar is an ambitious novel recordingyears of human history. The novel's central character, Miss Lissie, is a goddess from primeval Africa who has been incarnated hundreds of times throughout history. She befriends Suwelo, a narcissistic university professor whose marriage is threatened by his need to dominate and sexually exploit his wife.Literature; Alice Walker's Everyday Use Short Story Analysis.
Updated on November 15, L C David. more. Contact Author. The quilt causes the central conflict of the story but the problems run much deeper. | Source. Alice Walker's "Everyday Use" examines the divide between the rural, southern black in the 60's and 70's and the new.
In Alice Walker’s short story, “Everyday Use”, the narrator is the mother who is uneducated, but loving and hard working. Dee and Maggie are her daughters, whom she cares for deeply. Maggie, the youngest daughter, shares many outlooks on life the way her mother does.
"Everyday Use" Literary Analysis Essay. Everyday Use Literary Analysis Alice Walker’s “Everyday Use” is a short, yet powerful story about a simple, rural family that’s changed with the return of one of the daughters.
Everyday Use Literary Analysis Alice Walker’s “Everyday Use” is a short, yet powerful story about a simple, rural family that’s changed with the return of one of the daughters. Walker is at home in many literary forms, managing originality and innovativeness in whatever genre she chooses, be it poetry, essay, or long or short fiction.
Walker identifies diverse literary. Walker employs characterization and symbolism to highlight the difference between these interpretations and ultimately to uphold one of them, showing that culture and heritage are parts of daily life. The opening of the story is largely involved in characterizing Mrs.
Johnson, Dee’s mother and the story’s narrator.