Romeo and juliet social acceptance through

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Romeo and juliet social acceptance through

Act 1, scene 4 O, then I see Queen Mab has been with you. When that concern is brushed aside, he states that he will not dance at the feast. Romeo refuses to engage in this banter, explaining that in a dream he learned that going to the feast was a bad idea.

The speech begins as a flight of fancy, but Mercutio becomes almost entranced by it, and a bitter, fervent strain creeps in. Romeo steps in to stop the speech and calm Mercutio down. Benvolio refocuses their attention on actually getting to the feast. Romeo voices one last concern: As an audience, we already know that Romeo and his friends are headed to the feast.

Romeo and juliet social acceptance through

We already know that Romeo is melancholy and Benvolio more pragmatic. The inclusion of this scene does not directly offer plot exposition or plot progression.

Romeo and Juliet Social Acceptance Through Language

The audience, of course, knows that he will suffer an untimely death. This scene also serves as introduction to the clever, whirling, entrancing Mercutio. Spinning wild puns left and right, seeming to speak them as freely as others breathe, Mercutio is established as a friend who can, gently or not, mock Romeo as no one else can.

Though thoughtful, Benvolio does not have the quick wit for such behavior. With his wild speech and laughter, Mercutio is a man of excess. But his passions are of another sort than those that move Romeo to love and Tybalt to hate. Mercutio believes in neither.

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In fact, Mercutio stands in contrast to all of the other characters in Romeo and Juliet because he is able to see through the blindness caused by wholehearted acceptance of the ideals sanctioned by society: It is no accident that Mercutio is the master punner in this play.

A pun represents slippage, or twist, in the meaning of a word. That word, which previously meant one thing, now suddenly is revealed to have additional interpretations, and therefore becomes ambiguous. Just as Mercutio can see through words to other, usually debased meanings, he can also understand that the ideals held by those around him originate from less high-minded desires than anyone would care to admit.

Yet the name holds a deeper meaning. In Queen Mab, then, Mercutio creates a sort of conceptual pun: He yokes the childish fun of fairies to a much darker vision of humanity.

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The speech itself reveals this dichotomy. But take a closer look at those dreams. Queen Mab brings dreams suited to each individual, and each dream she brings seems to descend into deeper depravity and brutality: Mercutio, as entertaining as he is, can be seen as offering an alternative vision of the grand tragedy that is Romeo and Juliet.

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Romeo and juliet social acceptance through

It is an auspicious occasion on which to promote cultural exchange and mutual understanding among its participating candidates and the audience, in the beautiful city of Vienna, the cultural heart of Europe. Distinguishing social bounds in Romeo and Juliet with Language Language is a tool everybody uses everywhere and all the time.

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SparkNotes: Romeo and Juliet: Act 1, scene 4